Smith, Apparitions for Percussion. Apparitions for Percussion features new works.
Velocities (1990) by Joseph Schwantner. Rapidly articulated sixteenth notes in four, five. Program Note by Justin R. Guest appearance on Rita Celli's popular Ontario Today program. Velocities (Schwantner).
J. Joseph Schwantner: Velocities (moto perpetuo) for Solo. Marimba. 2. Daniel Lentz: The Apparitions of J. Akira Ifukube: Lauda Concertata for Orchestra and Marimba. Todd Winkler: Stomping the Ground for Midi Percussion. Computer, Mov't 1. Stomping the Ground, Mov't 2.
The TROMP Percussion Eindhoven 2010 competition and festival guide. Featuring participants, jury members, festival artists and program notes. 13 / 21 November 2010 at. Velocities sheet music - Marimba sheet music by Joseph Schwantner: Schott Music. Shop the World's Largest Sheet Music Selection today at Sheet Music Plus. Margo Kline: Camerata Pacifica Opens Season.
Stomping the Ground, Mov't 3. Album Description. Joseph Schwantner's . Joseph Schwantner, born in Chicago, is currently Professor.
Velocities Schwantner Program Notes Debussy
Composition at the Eastman School of Music where he has been. He has also served on the faculty. Juilliard School. Schwantner received his musical and.
Chicago Conservatory and Northwestern. University, completing a doctorate in 1. In . The. digital ghosts in . These ghosts. like their humanoid counterparts, can do things that ordinary. As a human ghost can walk through a wall.
For example. something played by the human soloist might return seconds or. Other ghosts, especially when alone or. But when there. is a whole roomful of them sounding about (sometimes one might. Akira Ifukube. was born on May 3. Hokkaido. He began.
He. performed many European classical pieces, but was drawn to Igor. Stravinsky's and Manuel de Falla's music. He attributes his exposure. He is. best known for his film scores for GODZILLA - KING OF THE MONSTERS. TERROR OF MECHAGODZILLA (1.
GODZILLA VS. MOTHRA (1. GODZILLA VS. The electronic accompaniment. Dr. Using the. Macintosh software Max, the performer controls the entrances. Although. the electronic accompaniment is inferior to the orchestral setting. Smith to perform the piece on tour with a hint of the. The solo percussionist creates a kaleidoscopic.
Kat, an electronic. Using 2. 4 electronic drum pads and pedals. One section. features a call and response between the computer and performer. This work explores new musical techniques.
Todd Winkler. began his career studying composition and electronic music with. David Cope and Gordon Mumma at U. C. Santa Cruz (BFA), Morton. Subotnick and Mel Powell at Cal. Arts (MFA), and John Chowning. Max Mathews at Stanford University (DMA).
A former faculty. Oberlin College Conservatory and Cal. Arts, he is currently. Brown University where he teaches courses. Mac. Coll Studio for Electronic Music.
Working at CCRMA at. Stanford, and IRCAM in Paris, Winkler pioneered new methods for.
His current work expands. He has written a book based on. Composing Interactive Music.